Vice News’ Zachary Drucker, a music critic, takes us through the history of pop, rock, and rap, as well as the evolution of the concept of a “moviemaker” and the evolution in the way artists have sold their music.
Read More , as well the history and evolution of video games and how they relate to pop culture, as they’re all related.
This is also the first interview that I’ve ever done with a major pop star, as I have the most in-depth interviews in the world, but with my job it was very different.
I was a freelance journalist at the time, but I’ve done several covers over the years and always had a little extra to do with pop culture.
So I was very much a pop reporter at the same time, with a big, little interview room, and I would have my own personal music blog where I would put together an article or two a week, and it was mostly pop music, so I had to take a lot of risks.
But that was also a big thing for me because I’m very into music and I was doing a lot.
The big, big thing about it was, I was writing about pop music because I liked it.
I loved the concept, I loved this idea of a song.
And then I also liked the idea of doing a documentary, because I really wanted to do a documentary on a lot in pop music.
And so that was kind of the reason why I was interviewing a lot about pop.
In addition to that, I also loved doing some music-related work in my day job, but it wasn’t like I was making a career out of it, so it wasn.
It was just kind of like, I love pop music and if it’s cool, I’m going to do it.
It just came from that.
That was the first time that I actually did a documentary.
I wrote a documentary called The Biggest Hip-Hop Story Ever Made.
It’s the story of one of the biggest hip-hop stories of all time, and then I went to Los Angeles and I did a little interview with the guy that directed it, and he was like, “You should do an album about it.”
And I’m like, Why not?
I mean, I had just done a documentary about the story, and now I’m doing this documentary about it.
And he’s like, Yeah, that sounds really good.
So I did that and then it was really cool, and they got a lot out of that.
And I didn’t even know what the fuck I was talking about, so they were like, You know, we’re going to record an album with this guy, and we’re gonna do the soundtrack and we are gonna do all of this other stuff.
So that was pretty cool.
But I didn’ have a big enough team to actually do it, because we were doing a little bit of film work, but there was no way that I was gonna be doing a music documentary.
So they got really excited about it, but also, I don’t know, the way they do it now is, I get to shoot video, and there’s like a big video crew there, so there’s a lot more of it.
But at the point when I was filming it, it was like I had the same amount of time as I had before to shoot all of it in one day.
So it was a little over two weeks, so like three months, but yeah, I mean I was pretty busy.
I don’ even remember doing much of the writing, but the way that they did it, there was just a lot that I had not written yet, so the writing was like just kind.
So we did a lot with it, we did an amazing amount of shooting and editing, we went back and forth with them on everything.
And the thing that I really liked about that is that they’re very, very collaborative.
So when they are doing that interview, I always ask, “Do you guys have a script?”
And I’ll ask, because you don’t necessarily have a lot to do, but you can just tell because they’re doing a really good job.
And they do have a really, really good script.
I can’t tell you how many times I asked them, “Hey, how do you do this?”
And they’re like, oh yeah, we have a pretty good script, it’s in the film.
And that’s a big help for a documentary because I get so much out of just being able to ask them what the hell they’re writing.
And you get to see what they’re thinking and what their ideas are.
And it’s like you can hear what they have in mind and what they want to say, because there’s just so much that they can talk about.
I would imagine that they don’t like to talk about what they